Abstract
A STYLE EVALUATION ON MURAD III'S EXAMPLES OF THE ART OF ISTIKAK AND REPEAT IN THE TURKISH DÎVÂN AND KİTÂB AL-MENÂMÂT
This study is about Sultan Murad III [d. 1003/1595], it is about the examples of repetition and follow-up art, which he frequently uses in his Turkish Dîvân and Kitâb al-Menamat. However, his name is Murad and he uses the phrases of Murâdî as a pseudonym for the purpose, desire, purpose, etc. of the word. The examples used repeatedly with their meanings will be examined. The language of Murad III letters to his sheikh Şücâ, in which he conveyed daily events, asked what he was wondering about sufism, and shared his spiritual depression and spiritual journey, is quite plain, understandable and far from hypocrisy. The cries he heard when he was in a state between sleep and wakefulness, the facts, the inspirations that came to him; while the dreams he saw are being conveyed, the language suddenly changes, especially the examples of repetition and subordination art are frequently encountered. This is also true for his poems. The language he used in his ghazals outside the sufi valley and the language in his sufi poems were different from each other. This language preference of Murad III will be revealed with examples from his works.
Keywords
Murad III, Kitâb al-Menamat, Istikak, Tekrir, Terdid, Wording
