Abstract
KEÇECİZADE İZZET MOLLA'S BAHAR-I EFKAR DIVAN IN THE MEVLEVİ MUSIC
As an artistic process, music is a branch of fine arts that has been apioneer in Eastern and Western societies for centuries. Anyart branch hasn’t influence the human spirit directly as much as music. Mevlevi music in the religious music in the light of the rituals compused with rebap, ney has special place in the forms of Turkish religrous music. While the sema takes place in almost every tariqat, it corresponds to the name is mukabele. The sema adopted by all sufizm has been as a religious means that brings the person to Allah and makes the glory of Allah feel in his heart. Ney and rebap which we can describe as the basic structure of the Mevlevi music to the sema breath the air have literally nourished the heaven and companions it. Especially ney is the most important mediator of music which has been transformed from generation to generation by taking place in human life for centuries by its mission effect in mysticiszm. In this study it will be examined in the frame of Mevlevi music rite, sema, ney and rebap. In conclusion section the sample terms will be given related to the things above (rite, sema, ney and rebap) from Bahar-ı Efkar Divan.
Keywords
Music, Rite, Welkin, Reed Flute, Rebap
